MELODRAMA
Melodrama is said to be lower in form than
tragedy. Originally a song is said to have a prominent place in melodrama. But
now the term is said to be reversed and has become more of a sensational
(public interest) type, relying on physical action, theatrical language,
behavior and lacking in sentiment for its effect. In an extravagant story like
crime, revenge or retribution (punishment) the characters are said to be a mere
puppets because of the evils committed due to their drinking or gambling, lost
will, missing heir and so forth and in the story you will find the villain
doesn’t succeed and virtue to be triumphant.
During
18th century this kind of drama became prominent and during 19th
century it became amazingly popular with the unsophisticated plays. But we
would find the elements of melodramatic in much earlier plays also. For example
in famous works of Kyd’s Spanish Tragedy and Webster’s Duchess of Malfi, one
will find authors determination to pile horror on horror which proves his artistry
talent which enlarges his delivery skills which is used to impress people. These
plays were chiefly noted for their scenic devices like representation of
railway accident, shipwrecks, fires, floods, earthquakes and other calamities.
It was these merely unconscious triumph that still attracted educated audiences
during the days when melodrama was played every year at Drury Lane which is
said to be a social event. But now they are merely attempted in theatre as
cinema shows it in a more convincingly hence such plays which are said to be an
essential part of the play are now barely remembered.
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